| Johann Erasmus Kindermann (1616-1655): | ||
| [1] | Dum tot carminibus (from Trauergesänge, In stylo recitativo, arr. K.-M. Ng) | 2'26 |
| (haute-contre, tenor viol, 2 bass viols, violone) | ||
| [2] | Grablied-Symphonia | 2'44 |
| (tenor viol, 2 bass viols, violone) | ||
| Joseph-Hector Fiocco (1703-1741): | ||
| [3] | Lectio Prima de Jeudi Saint | 12'52 |
| (haute-contre, 3 bass viols, chamber organ, theorbo) | ||
| Johann Erasmus Kindermann (1616-1655): | ||
| [4] | Symphonia (from Deliciae Studiosum) | 1'31 |
| (tenor viol, 2 bass viols, theorbo, chamber organ) | ||
| David Schedlich (1607-1687): | ||
| [5] | Herzen- und Trostspruch: Herr Jesu Christ | 2'33 |
| (haute-contre, tenor viol, 2 bass viols, theorbo, chamber organ) | ||
| Johann Erasmus Kindermann (1616-1655): | ||
| [6] | Symphonia (seconda volta) | 1'32 |
| (tenor viol, 2 bass viols, theorbo, chamber organ) | ||
| Christian Geist (~1640-1711): | ||
| [7] | Es war aber bei der Stätte, da er gekreuziget ward - O Traurigkeit, o Herzeleid | 11'55 |
| (haute-contre, 3 bass viols, chamber organ) | ||
| Johann Erasmus Kindermann (1616-1655): | ||
| [8] | Dr[e]ifache Fuga super Christ lag in Todesbanden.., Christus, der [uns] selig | |
| macht, Da Jesus an dem Creutze stund | 1'35 | |
| (chamber organ) | ||
| Johann Christoph Bach (1642-1703): | ||
| [9] | Ach, daß ich Wassers g'nug hätte | 6'57 |
| (haute-contre, violin, tenor viol, 2 bass viols, violone, theorbo, chamber organ) | ||
| Johann Fischer (1646-~1716): | ||
| [10] | Trost-Klag: Lamento | 4'08 |
| (violin, tenor viol, 2 bass viols, violone, theorbo, chamber organ) | ||
| Christian Geist (~1640-1711): | ||
| [11] | De funere ad vitam: Alleluia | 8'34 |
| (haute-contre, violin, violone, theorbo, chamber organ) | ||
| Johann Michael Nicolai (1629-1685): | ||
| [12] | Sonata a tre viol da gamba: Adagio-Allegro-Adagio-Allegro-Adagio, | |
| Aria, Corante, Giga, Sarabanda-[Variatio] | 9'31 | |
| [13] | Ciaconi | 5'31 |
| (3 bass viols, theorbo, harpsichord) | ||
| total time: | 72'18 |
Rodrigo del Pozo, haute-contre
Charivari Agréable Simfonie:
Susanne Heinrich, tenor and bass viols, violone
Linda Sayce, theorbo
Kah-Ming Ng, harpsichord and chamber organ
guests:
Susanna Pell, bass viol
Reiko Ichise, bass viol
Sarah Groser, violone
Clare Salaman, Baroque violin
recording: April 5-7, 1999, St. Andrew's Church, Toddington, Gloucestershire/UK