Musik in Deutschland 1950-2000:
Tanztheater: Motive der Weltliteratur

RCA 74321 73577-2


Bernd Alois Zimmermann (1918 - 1970):
Musique pour les soupers du Roi Ubu 18'07
[1]Entrée de l'Académie 1'44
[2]Ubu Roi, Captaine Bordure et ses partisans 2'59
[3]Mère Ubu et ses gardes 1'54
[4]Pile, Cotice et l'ours 1'09
[5]Le Cheval á Phynances et les larbins de Phynances1'02
[6]Pavane de Pissembock et Pissedoux 3'32
[7]Berceuse des petits financiers qui ne peuvent pas s'endomir1'01
[8]Marche de décervellage 4'58
Musique pour les soupers du Roi Ubu,
Ballet noir en sept parties et une entrée after Alfred Jarry

Radio-Symphonie-Orchester Berlin, Rudolf Alberth,
recording: Sendesaal des Sender Freies Berlin, January 24, 1968
Johannes Fritsch (*1942):
[9]Der grosse Gesang:
Erde war der Mensch, Pflanzen und Tiere, Orinoco
17'54
Ballet for speaker, 2 singers, guitar, trombone,
drums and tape after Pablo Neruda

Leonardo Martinez, speaker
Barbara Thornton and Benjamin Bagby, singers
Crawford Young, guitar
Jon English, trombone
Michael Ranta, drums
recording: Feedback Studios, Cologne April 17, 1980
Alfred Schnittke (1934 - 1998):
[10]Peer Gynt: Epilog, 2nd part 10'25
Ballet in three acts, a prologue and an epilogue after Henrik Ibsen
NDR-Chor and Symphonieorchester, Sir Neville Marriner
recording: Musikhalle Hamburg, December 17 and 18. 1993
Friedbert Wissmann (*1953):
[11]Lear: Finale 9'54
Ballet after Motives for William Shakespeare for tape
recording: Studio of the Semper-Oper Dresden, 1990
Helmut Oehring (*1961) (with Iris ter Schiphorst):
[12]Bernarda Albas Haus: songs and dance scenes 15'17
Dance theater music after Federico García Lorca
for 7 dancers, deaf soloist (female), soprano (male), E-guitar,
double bass,piano/keyboard and live electronics

Arno Raunig, sopranist
Christina Schönefeld, deaf soloist
Jörf Wilkendorf, E-guitar
Peter Kowald, double bass
Markus Reschtnewki, piano and keyboard
Torsten Ottersberg, live electronics
recording: 1999, studio (premiere: November 11, 1999, Basel)
total time 72'22